New DTM: Interview with Anthony Cox. Anthony is a long-time hero of mine, it was a thrill to interview him for DTM. Tomorrow (Wednesday June 22) we play…
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Good morning! NEW DTM, a place holder post for more in the future, about Stanley Cowell’s significant suite Juneteenth. Gig this week! I’m playing…
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#jakibyard100 The centennial is today. New DTM: The Genius of Jaki Byard. I open at the Vanguard soon. B there or b square
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New DTM, on the late John Heard, Leroy Williams, and Grachan Moncur III: Vicissitudes. Latest big DTM was a hit, inbox full of comments, 6,600 views, a…
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New DTM page, one that I've been working on for a while (I suppose for a lifetime), "A 'New' (Meaning 'Old') Approach to Jazz Education." It's 12,000…
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Two quick new DTMs: Baseball Interlude (links and comments on famous writing by Roger Angell and John Updike) The Second Piano Sonata of Poul Ruders…
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Ethan Iverson in performance, May-September 2022 May 31 — accompanying Rob Schwimmer at Joe’s Pub, Manhattan June 22 — trio with Anthony Cox and Kevin…
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Last night I had a good time listening to two favorite Andrew Hill records, Shades and Strange Serenade, and wrote the them up for DTM. Coming right up…
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New DTM: “Show Me the Way to the Next Octave Bar,” with guest appearances from Keith Jarrett and Herbie Hancock. I’ll be with Mark Morris and the Mark…
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Two quick DTMs, journals of the last couple of nights listening/watching/thinking: The stream “Mahler in Progress” with Argento New Music Project Lupu…
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Farewell to two masters. My latest DTM listens to Lupu in Schumann’s Humoreske and Birtwistle’s Silbury Air. I really loved playing with Peter…
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“We pass the ball to other ages” is a line from Sarah Deming’s lyric to “The More it Changes,” and it’s now also the title of this fine overview of…
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