Transitional Technology
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New for The Nation: I weigh in on A Love Supreme, the greatest long-form composition of American Classical Music. And, a new DTM: a substantial collect…
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New DTMs: “Back to be.jazz” is a little bit of personal history. Great to see Mwanji Ezana again… “Updates on James Newton and Misha Mengelberg” promot…
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New DTM: “Ursula” by Harold Land and “Hip” by Hampton Hawes. According to Wikipedia, the legs on the cover of Sonny Clark's Cool Struttin’ belonged to …
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Quite stunned and saddened by the shocking news that Twin Cities arts reporter Pamela Espeland has passed away. I didn't know Pamela well, but she cove…
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Jabali on tour: Since we are playing Ronnie Scott’s, this means there’s a strong chance I will be able to see NO TIME TO DIE in a London cinema, which …
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New DTM post concerning all these recently departed: Mraz, Booth, Laird, Ind, Wein, Schaap, Briscoe, Cameron, Reed, Watts, Lee, Granelli, Andriessen, M…
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There’s no classical pianist I love and respect more than Marc-André Hamelin. I gently satirized him for his 60th birthday on my socials; the Twitter v…
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September gigs: 10 Chet Doxas trio w. Thomas Morgan @ Bar Bayeux, Brooklyn (record release of You Can’t Take it With You) mini-tour with Marcy Harriell…
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Until Wednesday, a video of yours truly playing Chopin for the Mark Morris Dance Group is online on YouTube. (My segment starts at 15:45.) I’m not givi…
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I’m still working on a big project, back after labor day, but quickly: Congrats to Billy Hart on becoming an NEA jazz master. For fun, here’s a picture…
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I’m going to unplug DTM, Transitional Technology, and my socials for July and August — although I probably can’t resist posting occasional tour photos …
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RIP to a master. My DTM tribute focuses on a favorite disc, North American Ballads and Squares.
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